Sonically, found sounds are featured more in the foreground than previous Cenote Glow excursions, as musical passages flow between melodic effervescence, oceanic drones, and hypnotic whirlpools of abstract sound. With sounds both captured in Mexico and recorded in Brooklyn, the release evokes the enriching warmth of the Yucatán Peninsula at times and the darker heart of the natural world at others. The first release from Cenote Glow in about a year, Musa Paradisiaca blends synthesis and field recordings for a deep tropical journey. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. There's just something so intoxicating about the combination of Boyd's washed out guitar tones with the warmth of analog sound. cloudsound has all the lushness you could ever want from this kind of music, but Boyd's loose, improvisational style feels distinctly homegrown – like a kind of cosmic blues brewed on Earth and then beamed out for the rest of the universe to enjoy. We're excited to share his latest collection, asperatus, and it's another stellar example of Boyd's singular sound. Though he only began releasing music as cloudsound in 2014, Swedish resident and American expat Lee Boyd has been recording beautiful ambient guitar compositions directly to tape for years now. With the keen ability to combine elements of musique concrète, modern composition, prog, and much more, Barabé continually ratchets up the intensity throughout the release, leading up to a gorgeous, spacious finale that allows you to catch your breath and reflect on all that came before. Six "Confessions" round out the affair with looser, more improvisational and dissonant approaches to synthesis that act as appropriate foils. The cassette consists of four "Dates", which are tightly composed melodic pieces featuring synthesizers, found sounds, subtle acoustic instrumentation, and Barabé's heavily vocoded voice. Dates & Confessions features an eclectic and ecstatic variety of sounds that add up to one beautifully disorienting release. Hailing from Victoriaville, Charles Barabé is a unique standout among a crop of incredibly talented rising experimental musicians based in the province of Quebec. At once confounding, familiar, visceral, and relaxing, Mason and Rose have combined their sonic powers to create an unexpected and entirely compelling journey that shreds from start to finish. There's a lot of playful contradiction throughout, with wistful melodies sampled from days gone by dipping right into rhythmic, clanging industrial vibes. While elements of each musician's signature sound are evident across Ain't Scared of Shaka – such as Mason's fragile nostalgia or Rose's burly synth squall – OLD SVRFERS is its own beast altogether.
OLD SVRFERS is the years-in-the-making collaborative brainchild of Josh Mason and Brad Rose (Charlatan, Altar Eagle).
Shutter the windows, light some candles, pour a glass of your favorite spirits, and let yourself be intoxicated by the sounds of the shadows. The tape is filled to the brim with mysterious sounds that will creep down your spine and disorient you with their delightful use of the stereo field. 2 features an especially potent blend of minimal synth exercises, eerily melodic drones, and pummeling rhythms. Fans of the first volume will find plenty to love here as Witchbeam explores new realms of dark noise and even ventures into some unanticipated genres along the way.
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Comes with a free digital download.Īt long last, we're thrilled to share the second volume of Witchbeam's Shadow Musick series. Altogether this an extended half hour of beautiful chaos you'll want to pour over you again and again. There are moments of surprise here as well, with certain tracks showing a much more restrained palate than usual and introducing piano as well as vocals by Emme Williams into the mix. With remarkable ability to juggle so many different elements in each composition, what might sound like a mess in less capable hands flows gloriously with Billington at the helm. Those familiar with the project's kaleidoscopic swirl of synths and hand percussion will find plenty to love on Spillage. All out of print releases can also be downloaded on our Bandcamp page.Ī monster percussionist for the furious jazz trio Tiger Hatchery, Chicago's Ben Billington has built an impressive catalog over the past few years as Quicksails by bringing his chops to the solo synthesizer game. To purchase out of print releases, please visit the distributors linked on the right side of this page.
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